Your Guide To Books

Legions of readers entranced by Twilight are hungry for more and they won’t be disappointed. In New Moon, Stephenie Meyer delivers another irresistible combination of romance and suspense with a supernatural twist. The “star-crossed” lovers theme continues as Bella and Edward find themselves facing new obstacles, including a devastating separation, the mysterious appearance of dangerous wolves roaming the forest in Forks, a terrifying threat of revenge from a female vampire and a deliciously sinister encounter with Italy’s reigning royal family of vampires, the Volturi. Passionate, riveting, and full of surprising twists and turns, this vampire love saga is well on its way to literary immortality.

Author: Stephenie Meyer
Hardcover:  608 pages
Company: Little, Brown Young Readers  (2006-08-21)
ISBN: 0316160199
List Price: $19.99
Amazon Price: $10.84
Used Price: $9.48

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Author: Christopher Paolini
Hardcover:  704 pages
Company: Knopf Books for Young Readers  (2008-09-20) (2008-09-20)
ISBN: 0375826726
List Price: $27.50
Amazon Price: $16.50

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The highly anticipated sequel to the #1 NEW YORK TIMES bestselling book!

Secrets have a way of getting out, especially when a diary is involved.

Whatever you do, don’t ask Greg Heffley how he spent his summer vacation, because he definitely doesn’t want to talk about it.

As Greg enters the new school year, he’s eager to put the past three months behind him . . . and one event in particular.

Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out . . . especially when a diary is involved.

Diary of a Wimpy Kid: Rodrick Rules chronicles Greg’s attempts to navigate the hazards of middle school, impress the girls, steer clear of the school talent show, and most important, keep his secret safe.

Author: Jeff Kinney
Hardcover:  224 pages
Company: Amulet  (2008-02-01)
ISBN: 0810994739
List Price: $12.95
Amazon Price: $6.90
Used Price: $7.15

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Author: Stephenie Meyer
Hardcover:  600 pages
Company: Little, Brown Young Readers  (2008-08-02) (2008-08-02)
ISBN: 031606792X
List Price: $22.99
Amazon Price: $13.79

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Looking to get lucky?Stephanie Plum is back between-the-numbers and she’s looking to get lucky in an Atlantic City hotel room, in a Winnebago, and with a brown-eyed stud who has stolen her heart.Stephanie Plum has a way of attracting danger, lunatics, oddballs, bad luck . . . and mystery men. And no one is more mysterious than the unmentionable Diesel. He’s back and hot on the trail of a little man in green pants who’s lost a giant bag of money. Problem is, the money isn’t exactly lost. Stephanie’s Grandma Mazur has found it, and like any good Jersey senior citizen, she’s hightailed it in a Winnebago to Atlantic City and hit the slots. With Lula and Connie in tow, Stephanie attempts to bring Grandma home, but the luck of the Irish is rubbing off on everyone: Lula’s found a job modeling plus-size lingerie. Connie’s found a guy. Diesel’s found Stephanie. And Stephanie has found herself in over her head with a caper involving thrice-stolen money, a racehorse, a car chase, and a bad case of hives. Plum Lucky is an all-you-can-eat buffet of thrills, chills, shrimp cocktail, plus-size underwear, and scorching hot men. It’s a between-the-numbers treat no Evanovich fan will want to miss!

Author: Janet Evanovich
Hardcover:  176 pages
Company: St. Martin’s Press  (2008-01-08) (2008-01-08)
ISBN: 0312377630
List Price: $17.95
Amazon Price: $7.30
Used Price: $7.78

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Amazon.com Exclusive Content

Click on the image below to download an exclusive essay by Eckhart Tolle, in .pdf format.

More From Eckhart Tolle

The Power of Now	Practicing The Power of Now	Stillness Speaks
Living a Life of Inner Peace Unabridged Audio CD	Gateways to Now (Inner Life Series) Audio CD	Eckhart Tolle’s Findhorn Retreat: Stillness Amidst the World Unabridged Audio CD

Author: Eckhart Tolle
Paperback:  336 pages
Company: Penguin  (2008-01-30) (2008-01-30)
ISBN: 0452289963
List Price: $14.00
Amazon Price: $7.29
Used Price: $7.34

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A terrible fire in a wealthy suburban home leaves a married couple deadand Detective Lindsay Boxer and her partner Rich Conklin searching forclues. And after California’s golden boy, Michael Campion has beenmissing for a month, there finally seems to be a lead in his case–avery devastating lead.Asfire after fire consume couples in wealthy, comfortable homes, Lindsayand the Murder Club must race to find the arsonists responsible and getto the bottom of Michael Campion’s disappearance. But suddenly thefires are raging too close to home.Frightened for her life andtorn between two men, Lindsay must find a way to solve the mostdaunting dilemmas she’s ever faced–at work and at home.

Author: James Patterson, Maxine Paetro
Hardcover:  384 pages
Company: Little, Brown and Company  (2008-02-04) (2008-02-04)
ISBN: 0316017701
List Price: $27.99
Amazon Price: $18.47

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Amazon Significant Seven, January 2008: It would be impossible to convey the wonder and the horror of Stephen King’s latest novel in just a few words. Suffice it to say that Duma Key, the story of Edgar Freemantle and his recovery from the terrible nightmare-inducing accident that stole his arm and ended his marriage, is Stephen King’s most brilliant novel to date (outside of the Dark Tower novels, in which case each is arguably his best work). Duma Key is as rich and rewarding as Rita Hayworth and the Shawshank Redemption (yes, thatShawshank Redemption), and as truly scary as anything King has written (and that’s saying a lot). Readers who have “always wanted to try Stephen King” but never known where to start should try a few pages of Duma Key–the frankness with which Edgar reveals his desperate, sputtering rages and thoughts of suicide is King at the top of his game. And that’s just the first thirty pages… –Daphne Durham

Duma Key: Where It All Began
A Note from Chuck Verrill, the Longtime Editor of Stephen King
In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. “I’m thinking of calling it Duma Key,” he offered. I liked the sound of that–the title was like a drumbeat of dread. “You know how Lisey’s Story is a story about marriage?” he said. “Sure,” I answered. The novel hadn’t yet been published, but I knew its story well: Lisey and Scott Landon–what a marriage that was. Then he dropped the other shoe: “I think Duma Key might be my story of divorce.”

Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled “Memory”–a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published “Memory,” Stephen had completed a draft of Duma Key, and it became clear to me how “Memory” and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying.

If you read the following two texts side by side–”Memory” as it was published by Tin House and the opening chapter of Duma Key in final form–you’ll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of “Memory” or “Memory” a contraction of Duma Key, I can’t really say. Can you?

–Chuck Verrill

“Memory” Memories are contrary things; if you quit chasing them and turn your back, they often return on their own. That’s what Kamen says. I tell him I never chased the memory of my accident. Some things, I say, are better forgotten. Maybe, but that doesn’t matter, either. That’s what Kamen says. My name is Edgar Freemantle. I used to be a big deal in building and construction. This was in Minnesota, in my other life. I was a genuine American-boy success in that life, worked my way up like a motherf—er, and for me, everything worked out. When Minneapolis-St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to force things. But I played my hunches, and most of them played out well. By the time I was fifty, Pam and I were worth about forty million dollars. And what we had together still worked. I looked at other women from time to time but never strayed. At the end of our particular Golden Age, one of our girls was at Brown and the other was teaching in a foreign exchange program. Just before things went wrong, my wife and I were planning to go and visit her. I had an accident at a job site. That’s what happened. I was in my pickup truck. The right side of my skull was crushed. My ribs were broken. My right hip was shattered. And although I retained sixty percent of the sight in my right eye (more, on a good day), I lost almost all of my right arm. I was supposed to lose my life, but I didn’t. Then I was supposed to become one of the Vegetable Simpsons, a Coma Homer, but that didn’t happen, either. I was one confused American when I came around, but the worst of that passed. By the time it did, my wife had passed, too. She’s remarried to a fellow who owns bowling alleys. My older daughter likes him. My younger daughter thinks he’s a yank-off. My wife says she’ll come around. Maybe sí, maybe no. That’s what Kamen says. When I say I was confused, I mean that at first I didn’t know who people were, or what had happened, or why I was in such awful pain. I can’t remember the quality and pitch of that pain now. I know it was excruciating, but it’s all pretty academic. Like a picture of a mountain in National Geographic magazine. It wasn’t academic at the time. At the time it was more like climbing a mountain. Continue Reading “Memory”

Duma Key How to Draw a Picture Start with a blank surface. It doesn’t have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but its true name is nothing. Black is the absence of light, but white is the absence of memory, the color of can’t remember. How do we remember to remember? That’s a question I’ve asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I’ve come to believe. Imagine a little girl, hardly more than a baby. She fell from a carriage almost ninety years ago, struck her head on a stone, and forgot everything. Not just her name; everything! And then one day she recalled just enough to pick up a pencil and make that first hesitant mark across the white. A horizon-line, sure. But also a slot for blackness to pour through. Still, imagine that small hand lifting the pencil… hesitating… and then marking the white. Imagine the courage of that first effort to re-establish the world by picturing it. I will always love that little girl, in spite of all she has cost me. I must. I have no choice. Pictures are magic, as you know. My Other Life My name is Edgar Freemantle. I used to be a big deal in the building and contracting business. This was in Minnesota, in my other life. I learned that my-other-life thing from Wireman. I want to tell you about Wireman, but first let’s get through the Minnesota part. Gotta say it: I was a genuine American-boy success there. Worked my way up in the company where I started, and when I couldn’t work my way any higher there, I went out and started my own. The boss of the company I left laughed at me, said I’d be broke in a year. I think that’s what most bosses say when some hot young pocket-rocket goes off on his own. For me, everything worked out. When Minneapolis-St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to play big. But I did play my hunches, and most played out well. By the time I was fifty, Pam and I were worth forty million dollars. And we were still tight. We had two girls, and at the end of our particular Golden Age, Ilse was at Brown and Melinda was teaching in France, as part of a foreign exchange program. At the time things went wrong, my wife and I were planning to go and visit her. Continue Reading Duma Key

More from Stephen King

Blaze

Lisey’s Story

The Mist

Cell

The Dark Tower: The Gunslinger Born

Author: Stephen King
Hardcover:  592 pages
Company: Scribner  (2008-01-22) (2008-01-22)
ISBN: 1416552510
List Price: $28.00
Amazon Price: $16.80

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Book Description:
Orphan, clock keeper, and thief, Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. But when his world suddenly interlocks with an eccentric, bookish girl and a bitter old man who runs a toy booth in the station, Hugo’s undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message from Hugo’s dead father form the backbone of this intricate, tender, and spellbinding mystery.

Amazon.com Exclusive

A Letter from Brian Selznick Dear readers, When I was a kid, two of my favorite books were by an amazing man named Remy Charlip. Fortunately and Thirteen fascinated me in part because, in both books, the very act of turning the pages plays a pivotal role in telling the story. Each turn reveals something new in a way that builds on the image on the previous page. Now that I’m an illustrator myself, I’ve often thought about this dramatic storytelling device and all of its creative possibilities. My new book, The Invention of Hugo Cabret, is a 550 page novel in words and pictures. But unlike most novels, the images in my new book don’t just illustrate the story; they help tell it. I’ve used the lessons I learned from Remy Charlip and other masters of the picture book to create something that is not a exactly a novel, not quite a picture book, not really a graphic novel, or a flip book or a movie, but a combination of all these things. I began thinking about this book ten years ago after seeing some of the magical films of Georges Méliès, the father of science-fiction movies. But it wasn’t until I read a book called Edison’s Eve: The Quest for Mechanical Life by Gaby Woods that my story began to come into focus. I discovered that Méliès had a collection of mechanical, wind-up figures (called automata) that were donated to a museum, but which were later destroyed and thrown away. Instantly, I imagined a boy discovering these broken, rusty machines in the garbage, stealing one and attempting to fix it. At that moment, Hugo Cabret was born. A few years ago, I had the honor of meeting Remy Charlip, and I’m proud to say that we’ve become friends. Last December he was asking me what I was working on, and as I was describing this book to him, I realized that Remy looks exactly like Georges Méliès. I excitedly asked him to pose as the character in my book, and fortunately, he said yes. So every time you see Méliès in The Invention of Hugo Cabret, the person you are really looking at is my dear friend Remy Charlip, who continues to inspire everyone who has the great pleasure of knowing him or seeing his work. Paris in the 1930’s, a thief, a broken machine, a strange girl, a mean old man, and the secrets that tie them all together… Welcome to The Invention of Hugo Cabret. Yours, Brian Selznick

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Amazon.com Exclusive

Brian Selznick on a “Deleted Scene” from The Invention of Hugo Cabret This is a finished drawing that I had to cut from The Invention of Hugo Cabret. I was still rewriting the book when I had to begin the final art. There was originally a scene in the story where this character, Etienne, is working in a camera shop. On one of my research trips to Paris I spent an entire day visiting old camera shops and photographing cameras from the 1930’s and earlier, as well as the facades of the shops themselves. I researched original French camera posters and made sure that the counter and the shelves were accurate to the time period. I did all the drawings in the book at 1/4 scale, so they were very small and I often had to use a magnifying glass to help me see what I was drawing. After I finished this drawing I continued to rewrite, and for various reasons I realized that I needed to move this scene from the camera shop to the French Film Academy, which meant that I had to cut this picture. I tried really hard to find ANOTHER moment when I could have Etienne in a camera shop, but, as painful as it was, I knew the picture had to go. I’m glad to see it up on the Amazon website because otherwise no one would have ever seen all those tiny cameras I researched and drew so carefully! –Brian Selznick

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More from Brian Selznick

The Houdini Box

Walt Whitman: Words for America

The Boy of a Thousand Faces

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Author: Brian Selznick
Hardcover:  544 pages
Company: Scholastic Press  (2007-01-30)
ISBN: 0439813786
List Price: $22.99
Amazon Price: $10.99
Used Price: $11.95

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